Saturday, July 28, 2012

The Circus Comes to Drown

 
What's a blog for if not for some self-promotion, eh?

Don't mind if I do!

I met Virginia Scare from the Vaudevillain Revue like you meet a lot of performers--through other performers. She's been hosting regular vaudeville and variety shows in Raleigh for a couple years now, and she also hosts Dr. Sketchy's Anti-Art School in the Raleigh-Durham area.

Well now The Vaudevillian Revue is branching out and hosting it's first show in Durham (or "Durm" for those of you from Durham) at The Casbah.

Come next Friday, August 3rd to "The Circus Comes to Drown!" There will be fire, music, circus, and burlesque starting at 9pm! I don't want to drop too big of a hint about the performance I will be doing, but you can call me "Nessie" and boy do I have a scary secret for you!

Fish n' chips,
Christy the Amazon

Monday, July 23, 2012

How to Work With Difficult Venues/Difficult Venue Owners


Just put on a luchador mask and say "I smash you like HULK!"

And hope to never see them again.

Just kidding, while sometimes you do have to cut ties, you don't want to make a bad rep with venue managers or owners!

Last time I performed at the venue where the above picture was taken (ehem, the "M" does not stand for "Motorco" in Durham, NC), I made the mistake of talking trash about the space while waiting in the bathroom....meanwhile one of the owners was using the facilities! My face turned red when she exited the stall to wash her hands---yikes! Backpedaling from there was hard.

Every performance needs something different out of a venue, but every venue needs essentially the same thing (a) a crowd that keeps coming back, and (b) money to run the business. It's hard as a performer sometimes to not be judgmental of a venue, because they never seem to get it just right.  But part of your job as a performer is to be able to deal with it and find a creative solution for the problem. If there's no green room (room backstage for performers), section something off with a curtain or use the bathroom. If you can't get in touch with your original contact, talk to the manager or the #1 bartender.

Ok, this is turning into bullet points:
1. Always ALWAYS have a reliable contact.
2. Always keep a written (email is great) record of negotiations.
3. Always have your ducks in a row, and have friends who can help you keep your lil' duckies organized.
4. Take deep breaths, and don't take anything personally.
5. Have back-ups. Back-up helpers in case someone gets sick, back-up fishnets in case you tear a hole, back-up underwear in case you crap yourself (jk, but you get the point).

With those things in order, the rest will be easy as pie.

"Break a leg", and "pop a pastie",
Christy the Amazon

Sunday, July 22, 2012

Fundraisers, Non-Profits, and Problems with Performing for FREE


It happens to everyone, whether it's a charity you support, a non-profit in your area, or just someone who doesn't want to pay you, you will be asked to perform for FREE. OMG!

Immediate issues with performing for free:

1. Are the tools you use free? No. Are your costumes free? No. Is the gas to drive there free? No. Is anything free? No, No, NO!

2. Could you be doing a paid performance instead? What money are you losing by doing this performance instead of whatever else you could be doing?

3. Does this business/charity/event have a budget? Is someone getting paid? If so--why them instead of you? Don't let ANYONE pimp you out!
 
Good things about performing for free:

1. If you believe in a cause or if you're helping a friend, it can be very satisfying!

2. It can be good marketing--maybe you will meet people there that want to pay you for something in the future. Maybe it is a fundraiser that is getting a lot of coverage--you could be highlighted in the newspaper, a local blog, etc.

3. Often you can make a trade--maybe it's a special event and you can get your friends on the VIP list, a gift certificate or credit of some sort, or another (potentially) worthwhile trade for your skills.


Determine what is a worthy cause. Determine how much your skills are worth. NEVER fold. You owe it to yourself and all other artists who are striving to not only be paid for their skills and hard work, but recognized as individuals worthy of compensation, to never settle for less than you are worth, and never let anyone take advantage of you!

Hot damn!

With love and respect,
Christy the Amazon

PS- Pictured above. An event, the Kirby Derby, I worked for free, and was very happy to do so! Not only is this a free, annual non-profit event, it supports local artists, fun and bizarre happenings, loving your neighbor, and enjoying life. I made costumes for myself and other referees using donated materials. We spent no money other than driving out to the event, and we had a blast being a part of the action! I got to yell at people, dress crazy, and have fun with my friends--what better time to do a free event, eh?!

Thursday, July 19, 2012

How You Learn to Dance with Fire...and not get (very) burned

When people ask me how I learned to perform fire, I have to give them the short version. "I made some friends who are burners, they taught me, and I became an addict!" While this is true, the longer story is more real to me and its memory has helped my through harder times. I've learned to respect fire and to respect myself as a performer--in doing so I've avoided serious accidents and other problems.

The Back-Story
When I was a senior at North Carolina State University, somewhat depressed, and facing health issues and other personal problems, I picked up my roommate's hula hoop. The week before I had seen a girl dance with a hula hoop, scoop it up off her waist while it was still spinning, and then continue to spin it in the air. (Now, the same girl just happens to be one my best friends and owner of Raleigh's first circus arts studio.) I had never hula hooped, and in fact was laughed at in middle school for not being able to. Regardless, I was determined to do that same movement I had seen her do. I kept trying and I never stopped smiling, and after days of skipping class, bruising myself, and laughing at myself a lot, I actually began to get it.

The Immersion
I met the hula hooping girl, Sara, and told her about my experience seeing her with the hoop, and then mimicking her movements. We began practicing together and became close friends. I am so grateful for her friendship and the impact she has had on my life; she was the first person to introduce me to fire, and it was with her that I experienced my first fire spin. I met other burners, from the Fire Triangle in Raleigh, and performers from circusSPARK, the triangle's annual grassroots art expo. I devoted myself to practicing and reaching for as many new skills as I could. I performed and promoted myself as a performer as much as possible my last semester of college, and I learned some big lessons.

Rules for Being a Successful Performer (Aka "Things I did wrong that you shouldn't do")
1. Don't get full of yourself--confidence is good but you don't have to be better than someone in order to be good at something.
2. Treat every person like they are your neighbor--you might think "I will never see this person again", but it's actually quite possible that you will. Sometimes you've got to lay down the law, especially when safety is a concern, but in general, PLAY NICE.
3. Be honest with yourself--exhaustion is a performers mortal enemy! Bad things happen when you are too tired. Take breaks, relax, eat well, get a massage--do the things you need to do to keep your body and mind 100% and if you're not feeling 100%--STOP. Even if it means postponing a show--better to do that than to get hurt or worse--hurt someone else. Illness and poor performing conditions (i.e. winds, slick surface, children too close to stage) are also important things to be honest with yourself and others about.
4. Get formal safety training--whatever your skill or act, learn how to do it safely and learn from professionals who are much more experienced than you. Also, have a first aid kit and any safety equipment you will possibly need.

I value the experiences, good and bad (but mostly good), I have had as a fire performer. I think it's most important to recognize the seriousness of fire, the danger, and the safety precautions and preparation it takes to be a good, safe performer. Familiarize yourself with your tools, movements, setting, and clothing/costumes long before you light anything on fire.

Until next time,
Christy the Amazon